Rogue Strands, August 2017

Davies’ poetry relishes a sense of otherness which unsettles at first. At certain moments, conjunctions, prepositions or articles are suppressed, contractions avoided, nouns turned into verbs, everything often wrapped in the aural effect of repeated vowels. This means that the reader initially has to feel a way through these poems as if sight were blurred. However, as we get to grips with Davies’ idiosyncratic use of language, the consequence is that a perspective is eventually revealed afresh, brighter and more vivid than we could have expected.

Read full review by Matthew Stewart at Rogue Strands